Thursday, July 6, 2017

Collins Drive -- "Collins Drive"



This self-titled release is from a band based in Atlanta, a trio of my friends. Their music is really good folk-rock, with touches of blues, and I think they make good music. 

The band is made up of Don De Leaumont, guitar and harmonica, lead vocals; Allison Shockley, bass and background vocals; and Michael Satterlee, drums. Production of this release is by Tim Delaney and Collins Drive. 

Since 2013, Collins Drive has two releases: the acoustic EP The Sound of Broken Hearts and the Smell of Home Cookin’ (2016) and this, their debut LP (2017). Collins Drive has earned a steadily growing fan base due to their live performances at such renowned Atlanta venues as Red Light CafĂ©, Moonshadow Tavern, and Smith’s Olde Bar. From Don de Leaumont’s heartfelt and soulful singing and performances of songs such as “Sailor’s Progress”, “I Drive”, and “Ghost Town”, a Collins Drive live performance is something that every lover of good live music can appreciate.

There are nine songs in this release. Don is the principal songwriter. "Cemetery Angel" starts things off with a ripping good story of a woman waiting at a bus stop next to the cemetery. "Drunk On Sunday" contains the wonderful lyric "I'm drunk again on Sunday, all alone and hanging 'round." The next song "Rest Stop For The Weary" is a De Leaumont original from 2009--I call it "the Waffle House song." The full band treatment makes this a much stronger song, with wonderful harmonica. "Prison Story," like all good prison songs, has a touch of Merle Haggard in it, but that is a good thing. Good guitar, and Allison's harmony vocals here add a welcome depth. The next song, "The Devil Is You," may be lyrically the weakest song here, but it still has plenty of charm--strong vocals, good electric guitar and an early Steve Earle outtake feel to it. The next song, "Lying In Our Bed," shows that the band has absorbed the lessons of good folk rock music-making. Lyrics are strong, good guitar and a rock solid rhythm section move this one right along. Reminds me of a Three Dog Night outtake. "I Drive" is another De Leaumont original from his old solo folk-singer days, but like "Rest Stop For The Weary" it comes across better in the band context. "Sailor's Progress" is a wonderful closer--more strong harmonica and Michael's deeply sympathetic drumming and great harmony vocals from Allison. My favorite song on the cd. The last song here is "Ghost Town," a nostalgic look back with strong guitar from Don and another killer harmony vocal from Allison. 

Musically,  Collins Drive is not a complicated band--they just want to bring their favorite kinds of music into one place and create a sound and songs that everyone can connect with. Collins Drive’s songs tell stories and paint pictures of Southern living. There’s nothing complex and there’s no deep, hidden meanings to these songs. They are just little slices of life put into songs that are easy to connect with. 

Good music. And I'm glad to point you, blog-readers, in the direction of good music. You can buy this cd at http://collinsdrive.com/ 

Another bit of good news about Collins Drive--the band, not the cd: Collins Drive has been invited to be a part of Kevn Kinney’s Rocket Shop and Travel Show From the Neighborhood by Kevn Kinney himself. A wonderful honor!!   

    


   

Tuesday, June 27, 2017

Sean Chambers -- "Trouble & Whiskey"

Sean Chambers is a guitar player/singer/songwriter. I have enjoyed his work back to 2009's "Ten Til Midnight." I saw  growth between that promising beginning and his next release, 2011's "Live From The Long Island Roadhouse." It appeared on BB King’s Bluesville XM/Sirius Blues Charts as a “Pick to Click” for 6 weeks in a row, as well as 15 weeks on the RMR Weekly Blues Roots Chart and 11 weeks on the House of Blues Radio Chart. The album was voted “Best Live Blues Album of 2011” by Canada’s Blues Underground Network and ranked as one of the Top 3 Live CD’s in Germany by the magazine Wasser Prawda.  In addition it was nominated for a Jimi Award for “Best Live Blues Album of 2011.” Guitar Player Magazine did a full page feature story on Sean in February, 2012, and the same month Vintage Guitar Magazine ran a two page feature story.

There was another leap forward with his next release, 2013's "The Rock House Sessions." on Blue Heat Records. The album received great reviews and was also nominated for a Blues Blast Music Award in 2014 for “Best Blues Rock Album of the year”.  The album was recorded at Rock House Studios owned by acclaimed keyboardist Kevin McKendree (Delbert McClinton Band) –  hence the album name.

In all those albums, Chambers was digging in a familiar vein--there was a clear connection between his start as guitarist and band leader for Hubert Sumlin in 1998-2003 and the solo albums. Well, with this release Chambers has raised his game yet another leap forward--more fire, more passion, more consistency, just lots of more better stuff! The core band on the album is Sean on lead vocals and lead guitar, Michael Hensley on Hammond B3 & keyboards, Todd Cook on bass and Kris Schnebelen  on drums. Special guests include Jimmy Bennett on guitar on track #8, John Ginty on Hammond B3 on track #4, and Andrei Koribaniks on percussion on tracks #1 and #7. Trouble & Whiskey features 7 new original Sean Chambers compositions, and 3 well chosen covers including “Bullfrog Blues” by Rory Gallagher, ‘Cut Off My Right Arm” by Johnny Copeland and “Be Careful With A Fool” by Riley B. King/Joe Bihari. My favorite songs here are the title track and "Bottle Keeps Staring At Me." The title track recalls the style and fire of Johnny Winter--and "Bottle" is, in my opinion, perhaps the best blues rock song of the year so far. And I must confess a soft spot for anybody who covers "Bullfrog Blues" well. Sean's version is, dare I say it, touching on Rory Gallagher territory. Top Ten album of the year candidate.

"Guitarist Chambers achieves the distinctly American blues/soul/country/rock sound that the Stones used to aspire to long ago." - Jerry Shriver, USA TODAY

You can buy this cd at http://www.seanchambers.com/ or at i-tunes.com/
 

Monday, June 26, 2017

Hurricane Ruth -- "Ain't Ready For The Grave"



Hurricane Ruth LeMasters was raised in the blues. Her father owned the Glendale Tavern in Beardstown Illinois. Her love of the blues led to a life singing the blues--and that life has now resulted in this release "Ain't Ready For The Grave." Ruth enlisted Tom Hambridge, mega hit-man producer, songwriter, drumming master and Grammy winner, to work his magic on 12 tracks, recorded in Nashville with a group of A-list players; Reese Wynans (Stevie Ray Vaughan) on keys, Michael Rhodes (Joe Bonamassa) on bass, guitarists Pat Buchanan (Faith Hill, Kenny Chesney) and Rob McNelley (Delbert McClinton), who all together make a deep and wide pocket for Ruth's vocal artistry.

I can't describe the album any better, song by song, than Rick J Bowen does on Ruth's website:

The album kicks off with the good time blues ‘Barrelhouse Joe’s’ setting the scene of Friday night at a juke joint just like her old man’s place. Ruth then lays out her modus operandi as self-described ‘Hard Rockin’ Woman,’ with gritty vocals over a driving four on the floor house rockin’ blues. The album title comes from a line in the low-down blues ‘Far From The Cradle,’ with Ruth delivering testimony to her musical mission. Ruth chastises a young woman for messing with a married man on the smoking hot ‘Estilene.’ Hambridge lays down a fat boogaloo beat for the playful dance track ‘Beekeeper’ and Wynans tickles the ivories ramping up the drama of the classic slow blues ‘My Heart Aches For You.’ An ice-pickin’ groove and razor sharp vocals are featured on the tight track ‘Cheating Blues.’ The crew then goes for broke, taking on an AC/DC classic ‘Whole Lotta Rosie,’ delivering it with fury and southern rock sizzle. Some blistering slide guitar and swampy drums punctuate the provocative ‘For A Change,’ and the double shuffle, ‘Let Me Be The One,’ feels like one of the top ten hits Hambridge wrote for Susan Tedeschi. The legendary McCrary Sisters join Ruth for the saucy soul rocker ‘Good Stuff’ and the album’s gospel encore ‘Yes I Know,’ adding pure joy to the Sunday go-to-meeting revival.

Suffice to say this is the best album of Ruth's career, and clearly a Top Ten Of 2017 nominee. On every song here Ruth and the band take your ears and your soul for a joyful ride. When you finish listening to this one, you'll want to hear it again.

You can buy this cd at: https://hurricaneruth.com/

Monday, June 19, 2017

Jeffrey Halford & The Healers -- "Lo Fi Dreams"



Jeffrey Halford & The Healers burst onto my radar back in 2015 when I became hooked by their album "Rainmaker." I didn't know then that Jeffrey Halford had made 6 albums before that one, and I didn't know anything about his background. All I knew was that the music on Rainmaker sounded authentic. That was enough for me--I made room in my life for a real good band. Well, here comes a new release from these guys. Lo Fi Dreams is all I have come to expect and even more.

The band here is Halford on vocals and guitar, Bill Macbeath on bass, and Adam Rossi on keys and drums. Guests include Jimmy Dewrance on harp on two songs, and Tom Heyman on steel and guitar on two tracks. The album was recorded in San Francisco.

Let me say this up front: This is a real good album. The songwriting is top-notch, and the guitar work, while sometimes a bit less flashy than it could be, is very solid. While this music may not be textbook blues-- i-tunes even calls it country--the music here strikes my ears as an example of "Cosmic American Music", a hybrid of country, rhythm and blues, soul, folk, and rock, a phrase used by the late and great musician Gram Parson. The feel of Lo Fi Dreams, like Rainmaker before it, is similar to music made by Tony Jo White, or Ray Wylie Hubbard, or early John Hiatt. It contains stories told with honest and sparse musical accompaniment. My favorite song here is Two Jacksons, a tale of a thrift store jacket.

I am going to give the final word to Paul Liberatore, who writes for the Marin Independent Journal:

"With this album, Halford stays the course he’s set as a troubadour of truth, writing songs in the tradition of the American storytellers who used their voices and their guitars to elevate ordinary people and comment on the human condition."

He got it exactly right.

You can buy this cd at i-tunes or at your favorite music outlet.

Friday, April 14, 2017

Bert Wray Blues -- "Gutbucket Radio"

Bert Wray Blues came to me on a tip from a friend. Don de Leaumont, who has been my friend since 2009 when we met at an Emory University seminar about the music of Bob Dylan, told me one day that I needed to hear this blues album by his friend in Charlotte North Carolina. Because of our friendship I told him to hook me up with it. Don sent me "Gutbucket Radio" that same day, and I listened to the first three songs.....which was all the time I had. The next day my brain was full of other chores and other music and it wasn't for another 6 days that I remembered and listened to the rest of the album. But at least there was one bit of good news--that second day I listened to it from the beginning! The first three songs sounded even stronger than they had the first time, and there was no letdown as I heard the rest of it.
 
Bert Wray is the leader of this band. He wrote the seven songs, sings and plays guitar and harmonica. Filling out the band are Dave Wall, on bass; and Mitch Cooper, on drums. They play a tight, yet loose-limbed music together that is blues, and folk, and rock 'n roll and country all at once. It is also utterly captivating. There are no weak songs here, no lame-o guitar wanking, nothing that makes me reach for the remote to hit "skip." Just fine music, honestly made by real human musicians who love to play.   
It really reminds me of another album I was given by a friend in about 2013: The Mojo Roots, from Columbia MO, were a fine bunch of guys and they made a really fine album they made called "What Kind Of Fool." I was knocked out. That album very rarely left my cd player for the next 18 months, even though The Mojo Roots broke up after the cd was out for about a year. 
I have played the Bert Wray Blues song "Like Johnny Winter Did" on my Mo' Blues Show at www.caldoniascrossroad.com at least a couple of times, and every time I play it I have to get up and dance around a little bit in the studio. The same thing happens with the song "Got The Tennessee Blues" or "Midwood Blues" or "Whiskey In My Coffee Cup" or "Little Highway Girl".... every song here can be shuffled into a pile with your other favorite cds and it will keep things "MOVIN!      
You can buy this cd at I-Tunes, and you can follow Bert Wray Blues at their Facebook page. If you are ever near Charlotte North Carolina check them out--you will be glad that you did! 

Wednesday, March 29, 2017

Brody Buster -- Brody Buster's One Man Band

Brody Buster is still pretty young--he's 32--but his music is advanced far beyond those years. Originally a harp prodigy from Paola Kansas, Brody played on The Tonight Show and played several times with BB King, but he didn't really actively pursue his music--it was just for fun. Things began to take a more serious turn away from Blues Rock in late 2015 when Brody began developing himself as a One Man Band (solo voice, drums, guitar and harp) at a weekly gig at the Westport Saloon in Kansas City. After that effort earned him a second finish at the 2016 IBC in the solo/duo competition, and Brody won "Best Harmonica" honors, he released this One Man Band cd last July.

At the outset I want to say that I liked this release. There are eight tracks here, three originals and five covers. The originals are "Into The Wind," "Working For The Devil," and "2029." These are all interesting, and feature strong harp and guitar work, along with generally good singing. At times Brody seems to hurry through the lyrics to get to the next guitar part or the next harp part. I liked "Into The Wind" the best of the originals. The covers include four non-blues songs--"I'm On Fire" (Bruce Springsteen), "New Speedway Boogie" (Grateful Dead), "Nothing Compares 2 U" (Prince), and "Get Back" (The Beatles). The sole bluesy cover is "Get Out Of My Life" (Eugene Smiley Sr). The Beatles and Springsteen covers are sweet but lightweight, and the Prince cover is ok, but the Grateful Dead song is strong and the Eugene Smiley Sr song is quite good--IMO the best on the cd.

Brody Buster has created an interesting artistic turn with this release, and I think he has a huge upside ahead doing this One Man Band style. He also continues to perform around Kansas City in the Brody Buster Band. What is sure is that he can sure play harp and guitar and drums, and his singing and songwriting will continue to develop.       

You can buy this cd from Brody's website: http://www.brodybuster.com/

Saturday, February 18, 2017

Michael Hornbuckle -- "SoulRepo"

Michael Hornbuckle is a blues lifer. He started playing drums behind his father, the legendary Denver bluesman Bobby Hornbuckle, at the age of 13. After Bobby passed Michael picked up his Gibson guitar and carried on in the family business, developing over the years into a fine songwriter, an even better vocalist, and a pretty terrific guitarist. The triple threat! The music on SoulRepo is brought to life by Michael Hornbuckle on guitar and vocals, Andras Csapo on harp, Jeff Andrews on bass, and Desmond Washington on drums. Dave Fox plays drums on "Backseat" and Sarah Snead appears on backing vocals.

What I like best about SoulRepo is the way the songs are all well-written, well-played, and intelligent. Hornbuckle doesn't go for the too easy riff, or the ridiculous over the top guitar solo. Every song is presented on its own, and it gets whatever backing or solo or instrumentation it needs. As a result, this is blues music for grownups, with taste and style in abundance. It starts with "Sweat," a blues rocker. "Me And Melody" gets your attention with a nice drum riff and a strong melody hook. "Risin Sun" is the song I have been playing on my Mo' Blues shows--it has really good guitar work and a soulful vocal. "Candle For Mary" is another soulful blues rocker. "Angel" will be the next single for my show--it is an excellent soul song with a lot of swing and a great groove. "Backseat" closes things down with an easy blues shuffle. A very solid release.

Every few weeks, it seems, we hear of another blues artist passing on. That is sad, and those artists will be certainly missed. I still miss BB King and Johnny Winter. But there are a few up and coming folks out there who know how to keep the blues going, and they are doing it the right way. Michael Hornbuckle is one of those, and his music deserves your time and attention. Pick up SoulRepo.