Portland Oregon-based Lisa Mann has a fine release in "Move On." She and the Pretty Good Band have been stalwarts of the blues scene around Portland for several years, and from the first funky notes to the end of the disc, they make music with life, passion and style.
Lisa plays bass and sings. The Pretty Good Band is Jeff Knudson on guitars, Michael Ballash on drums and Brian Harris on keyboards.
From the website: Lisa is a proud inductee into the Cascade Blues Association’s Hall of
Fame after winning the Muddy Waters Award for Bass Player of the Year
three times in a row. In Nov of 2012, Lisa took home the Muddy for Bass
yet again, and to top that off, she took home Female Vocalist of the
Year and her “Really Good Band” won Contemporary Blues Act of the Year.
In 2011, she and her Really Good Band represented the CBA at the
International Blues Challenge, where they made it to the semi-finals.
Her latest CD, Satisfied, was the CBA’s choice for the Best
Self-Produced CD competition through the Blues Foundation. Lisa also
won the Portland Music Award for Outstanding Achievement in Blues in
2012.
Quite a resume, huh? Lisa wrote nine of the 12 songs here, and the covers are "The Blues Is My Medicine" written by Sonny Hess and Paulette Davis, "Ain't That Lovin' You, Baby" written by Jimmy Reed, and "The Blues Is Alright" written by Milton Campbell.
And there are some stellar musicians here as guests--a big chunk of them
from the Portland blues scene--Sonny Hess plays guitar and sings
backing vocals on one song, Mitch Kashmar plays harmonica on two tracks
and backing vocals on one, Larhonda Steele & Arietta Ward bring
backing vocals to two tracks, Dave Melvan plays drums on three tracks,
Alex Shakeri plays piano on two tracks and organ on one, Rae Gordon does
backing vocals on one track, and Richard Arnold brings backing vocals
to two tracks. The synopsis is there are some great players and singers on this cd, and pretty good songs too.
And the result is that Lisa Mann is back with a vengeance. After a seriously rough patch which included the death of her mother and losing her voice for six months, this really is a triumphant return for all involved.
you can buy this cd at http://www.lisamannmusic.com
Monday, June 30, 2014
Friday, June 27, 2014
Tweed Funk -- "First Name Lucky"
Tweed Funk formed in 2010 in Milwaukee, and their debut release was "Bringing It." That put them on the map, and their next cd, "Love Is" just kept them climbing. This is their third cd, and this time out, Tweed Funk wanted to make something in the style of those great Memphis soul records. Recorded mostly live in the studio of first or second takes. This is one great cd--just smoking from track one to track eleven!
Of course, all the members of Tweed Funk have talent and abilities in spades, and they have won awards to prove it. Tweed Funk won the 2012 Wisconsin Area Music Industry award for R&B/Soul Artist of the Year. For 2013 frontman Smokey took home the WAMI for Male Vocalist of the Year and Bassist Eric Madunic for Bass Player of the Year. Additionally, Tweed Funk was nominated in 2013 for R&B/Soul Artist of the Year and Kevin Klemme for Brass/Reeds Player of the Year. In 2011 the band was nominated for a WAMI for New Artist of the Year. Frontman Smokey was nominated for a 2012 WAMI for Best Male Vocalist. And Kevin Klemme took home the 2014 WAMI for brass/reeds Player Of The Year.
Smokey Holman sings, JD Optekar plays guitar, Eric Madunic plays bass, and Nick Lang plays drums. The horn section is Jon Lovas on sax and Kevin Klemme on trumpet. Rounding things out are Brian "Looper" Lucas on harmonica on "Get It On," and Chrissy Dzioba and Sara Moilanen on backing vocals on three tracks. Seven songs are new Tweed Funk originals, with four covers--a hot reading of "Let The Good Times Roll" that takes it back to its blues roots, a truly amazing "Sugarfoot," with maximum R&B spilling on the floor, an inspired take of "I Got Loaded" that threatens the Los Lobos version, and a cover of "Knock On Wood" sung by Eric Madunic that my wife in the next room thought was Sam and Dave. I really enjoy "Blues In My Soul," an original that, the first time I heard it, made me get up from the computer and dance.
Sometimes all your heart needs is a guy with a guitar. But there are other times when the sound your heart is looking for is a full band with horns. These guys play it hot and greasy, and the Memphis soul/R&B focus was an inspired choice. It's like listening to Booker T & The MGs again when those guys were all in their prime.
I could go on and on, but suffice to say this is my new favorite band. You can buy this cd at http://www.tweedfunk.com/
Of course, all the members of Tweed Funk have talent and abilities in spades, and they have won awards to prove it. Tweed Funk won the 2012 Wisconsin Area Music Industry award for R&B/Soul Artist of the Year. For 2013 frontman Smokey took home the WAMI for Male Vocalist of the Year and Bassist Eric Madunic for Bass Player of the Year. Additionally, Tweed Funk was nominated in 2013 for R&B/Soul Artist of the Year and Kevin Klemme for Brass/Reeds Player of the Year. In 2011 the band was nominated for a WAMI for New Artist of the Year. Frontman Smokey was nominated for a 2012 WAMI for Best Male Vocalist. And Kevin Klemme took home the 2014 WAMI for brass/reeds Player Of The Year.
Smokey Holman sings, JD Optekar plays guitar, Eric Madunic plays bass, and Nick Lang plays drums. The horn section is Jon Lovas on sax and Kevin Klemme on trumpet. Rounding things out are Brian "Looper" Lucas on harmonica on "Get It On," and Chrissy Dzioba and Sara Moilanen on backing vocals on three tracks. Seven songs are new Tweed Funk originals, with four covers--a hot reading of "Let The Good Times Roll" that takes it back to its blues roots, a truly amazing "Sugarfoot," with maximum R&B spilling on the floor, an inspired take of "I Got Loaded" that threatens the Los Lobos version, and a cover of "Knock On Wood" sung by Eric Madunic that my wife in the next room thought was Sam and Dave. I really enjoy "Blues In My Soul," an original that, the first time I heard it, made me get up from the computer and dance.
Sometimes all your heart needs is a guy with a guitar. But there are other times when the sound your heart is looking for is a full band with horns. These guys play it hot and greasy, and the Memphis soul/R&B focus was an inspired choice. It's like listening to Booker T & The MGs again when those guys were all in their prime.
I could go on and on, but suffice to say this is my new favorite band. You can buy this cd at http://www.tweedfunk.com/
Wednesday, June 11, 2014
The Forrest McDonald Band -- "Turnaround Blues"
Here's something I didn't know--the great guitar work on Bob Seger's "Old Time Rock & Roll" and Bobby Womack's "Roads Of Life" was by this guy--Forrest McDonald. He was born in Texas, and has played guitar for almost 50 years. He was a member of the Muscle Shoals Rhythm Section and for a time the guitarist for Kathi McDonald and Bonnie Bramlett, Jimmy Reed Jr and Bobby Womack.
And now he has released "Turnaround Blues," his 12th cd on World Talent Records. This is a seriously good cd--good song writing, (most of both by Mr McDonald), good singing (mostly by Andrew Black and sometimes by Jon Liebman), and loads of good playing by everybody. The rhythm section is Lee Gammon on bass, John McKnight on drums, and Tony Carey on keyboards. Special guests include Darrell Cobb, (vocals and guitar on "Stay Or Walk Away") Rich Ianucci (keyboards on "Checking On My Baby" and "R&R By Bye Bye") and John Schwenke (bass on "River Of Tears").
There is a lot of really good blues music on this disc. It's a Forrest McDonald release, and the guitar work throughout is stellar, but these guys play together as a band. There is room here for great turns on vocals, harp, and keyboard. I especially enjoyed their cover of Junior Wells' "Checking On My Baby," where Jon Liebman just channels Junior's feel on harp, and "River Of Tears," which is just smoking from start to finish, and "Funny Thing Baby," which Forrest dedicates to Toy Caldwell, who was the great guitar player for the Marshall Tucker Band. The cover of Sonny Boy Williamson II's "V-8 Ford" is terrific--here it is transformed from a country blues lament into a sizzling electric blues workout with solid solos by harp, guitar and keyboard.
Good stuff. Check it out. You can buy this cd at: http://www.forrestmcdonald.com
And now he has released "Turnaround Blues," his 12th cd on World Talent Records. This is a seriously good cd--good song writing, (most of both by Mr McDonald), good singing (mostly by Andrew Black and sometimes by Jon Liebman), and loads of good playing by everybody. The rhythm section is Lee Gammon on bass, John McKnight on drums, and Tony Carey on keyboards. Special guests include Darrell Cobb, (vocals and guitar on "Stay Or Walk Away") Rich Ianucci (keyboards on "Checking On My Baby" and "R&R By Bye Bye") and John Schwenke (bass on "River Of Tears").
There is a lot of really good blues music on this disc. It's a Forrest McDonald release, and the guitar work throughout is stellar, but these guys play together as a band. There is room here for great turns on vocals, harp, and keyboard. I especially enjoyed their cover of Junior Wells' "Checking On My Baby," where Jon Liebman just channels Junior's feel on harp, and "River Of Tears," which is just smoking from start to finish, and "Funny Thing Baby," which Forrest dedicates to Toy Caldwell, who was the great guitar player for the Marshall Tucker Band. The cover of Sonny Boy Williamson II's "V-8 Ford" is terrific--here it is transformed from a country blues lament into a sizzling electric blues workout with solid solos by harp, guitar and keyboard.
Good stuff. Check it out. You can buy this cd at: http://www.forrestmcdonald.com
Monday, June 2, 2014
Little Mike & The Tornadoes -- "All The Right Moves"
Little Mike & The Tornadoes are New York based and play a tough Chicago-style blues. Their last disc, 2013's "Forgive Me," was a hard-hitting set that featured ten Mike Markowitz original songs and one cover, and great harmonica playing on each song. After hearing that cd, it was easy to get excited about their next one! This set brings back original Tornadoes Tony O Melio (guitar), Brad Vickers (bass), Rod Piazza (drums) and adds Jim McKaba (piano) with Little Mike (harmonica and vocals). Again most of the songs are written by Mike--there are two covers. The playing is crisp throughout, and the vibe is energetic. Little Mike's harp is upfront, propulsive and fat-toned, great Chicago style playing. His singing is really solid. The rhythm section of Piazza and Vickers bring every song to life. It seems like those two have played together for years--tight and loose at the same time and always squarely "in the pocket." McKaba's piano lifts each song higher--especially his right hand on the title track. And Tony O is simply spot-on everywhere. He might be the best traditional Chicago blues style guitar player anywhere right now. His work on "Blues Is Killing Me" is alone worth the cost of the entire set. My take on it? The title of this cd is the truth--All The Right Moves indeed. Great work from everybody beginning to end.
When my wife and I moved to Atlanta in 2007 one of the things that helped me feel better was the music of The Breeze Kings. For months I listened to their music nearly every day--and I still love their 2003 release "You Got To Bring Some To Get Some" (Veritone Records). As I thought about starting this blog again, Little Mike & The Tornadoes "All The Right Moves" was the cd I wanted to review first--these guys remind me of The Breeze Kings in the best way.
You can buy this cd at http://www.cdbaby.com/cd/littlemikeandthetornadoe
When my wife and I moved to Atlanta in 2007 one of the things that helped me feel better was the music of The Breeze Kings. For months I listened to their music nearly every day--and I still love their 2003 release "You Got To Bring Some To Get Some" (Veritone Records). As I thought about starting this blog again, Little Mike & The Tornadoes "All The Right Moves" was the cd I wanted to review first--these guys remind me of The Breeze Kings in the best way.
You can buy this cd at http://www.cdbaby.com/cd/littlemikeandthetornadoe
It's About Damn Time!
Six months of silence on this blog, a blog that I have been writing since 2007, a blog that made me happy and kept me connected for 6 years. Yikes! I started last August looking for a house in the Kansas City metro area, and after we found and bought it in October there were renovations to do and all our stuff to move. Now I have finally finished unpacking at my small grey house in Prairie Village Kansas. I love And after losing the past six months, I aim to begin on the blog again today, and if I can write two or three blues cd reviews each week, in about 6 months I might begin to feel caught up again. There is never any shortage of great music to review--there are great musicians writing/performing/singing/imagining wonderful new blues music every single day.
Can you imagine that there were days when we had not heard any music from Stevie Ray Vaughan? Or Koko Taylor? Or BB King? I truly believe that somebody who will have as big an impact as any of the greats just picked up a pencil, or a guitar, for the very first time and they are coming down the pike real soon. No, the blues are not dead. My opinion is the blues are as alive as ever, and all that is required is for us to find those new musicians, that new band, that new lyric, that new chord change--and let it connect within our hearts.
I invite you again to share this journey with me.
Can you imagine that there were days when we had not heard any music from Stevie Ray Vaughan? Or Koko Taylor? Or BB King? I truly believe that somebody who will have as big an impact as any of the greats just picked up a pencil, or a guitar, for the very first time and they are coming down the pike real soon. No, the blues are not dead. My opinion is the blues are as alive as ever, and all that is required is for us to find those new musicians, that new band, that new lyric, that new chord change--and let it connect within our hearts.
I invite you again to share this journey with me.
Thursday, January 2, 2014
Bruce's Top Twelve of 2013
Time for the annual "Best of" list, and I need to say at the start that this has been a great year for blues releases. The quality of the music that came to me this year is higher than 2012, higher than I expected. There were still several who were more rock than blues, but for the most part there are a number of really good artists out there working hard writing and performing really good music. The following cds are my favorites from an excellent year. And before I get to the list, I need to say thank you to all the musicians, PR people, the venues that support the music, and blues fans out there. This music we all love is meant to be heard live. Go hear some blues as often as you can. Spend a few dollars at the venue. Cheer yourself hoarse. Get to know some players. It's all good for your soul!
12. David Egan -- David Egan. (Indy) See my review October 29, 2013. Egan's best release in an over twenty year career. He wrote all the songs, and his singing and piano playing are better than ever.
11. Steve Howell & The Mighty Men -- Yes I Believe I Will (Out Of The Past Records) Like the David Egan cd, this is a masterpiece by a very fine musician and musicologist. Steve Howell is one of the very best acoustic guitarists of our time. The liner notes on Howell's cds are terrific in their own right.
10. Solomon King -- Train (Indy) See my review October 29, 2013.
9. Nicole Hart/Annie Piper -- Split Second (Blues Leaf Records) I have followed Nicole Hart since
2006. I love her voice, and I didn't exactly know what to expect with this release. But from the first song "Can't Let You Go" this cd just hooked me. Everything I love about Nicole Hart is here, and Annie Piper plays bass and sings great. Great songs, and the band is one of those all-star groupings: Ron Rauso and Juke Joint Jonny on guitar, Sandy Mack on harmonica, John Ginty on keyboards, Annie Piper on bass and Sim Cain on drums. "Dream Baby," a terrific cover from Roy Orbison's heyday, is just icing on the cake. Sweet!!
8. See note below.
7. The Planetary Blues Band -- Once Upon A Time In The South Loop" (Indy) This group from Indiana has spent a lot of time in Chicago and on the road. They have an attractive abundance of energy and talent and plenty of chops. This cd showcases a band on the way up. Check out their cover of Blind Lemon Jefferson's "See That My Grave Is Kept Clean."
6. The Mojo Roots -- "What Kind Of Fool" (Indy) These guys are not a hometown choice. They were 2013 IBC semi-finalists. The Mojo Roots have created a fresh spin on a soulful blues sound. See my review March 18, 2013.
5. Andy T - Nick Nixon Band -- "Drink Drank Drunk" (Delta Groove) This pairing of Nick Nixon's great Memphis-based vocals and Andy Talamantez' Texas-based guitar sounds from the first note like they have worked together for decades. They haven't--but their blend is fabulous. And the rest of the band is stellar, too--Anson Funderburgh, John Garza, Christian Dozzler, Danny Cochran, Ron Jones.
If you read liner notes, those guys have together and separately played with damn near everybody over the years. I seriously hope they get to make a follow-up cd in 2014.
4. Cyril Neville -- Magic Honey (Ruf) This release feels to me like the 2012 release of Joe Louis Walker's "Hellfire." It is so obvious that Cyril Neville's cd belongs on this list. From my first listen this was near the top of the heap--and all year long everybody gave it their best shot, but almost nobody could knock it off that perch. The only two who did were:
2. Trampled Under Foot -- "Badlands" (Indy) This cd debuted at # 1 on the Billboard blues charts. Danielle, Kris and Nick Schnebelen have made their strongest cd so far. Produced by Tony Braunagel, with guest appearances by Mike Finnigan and engineer/guitarist Johnny Lee Schell.
1. Buddy Guy -- "Rhythm & Blues" ( RCA) See my review July 31, 2013. Top of my list all year.
Note: One cd which would have made this list--and did, in early drafts--but eventually had to be dropped was The Ruff Kutt Blues Band -- "That's When The Blues Begins" (Vizztone). This would have been # 8 in this list. The quality is there without a doubt, but then I looked closer and the cd was released in 2012.
After much thought and hearing hundreds of songs, Bruce's Song Of The Year is by The F & G Band, on the cd "Pass It On" (Indy) "Untie That Knot." See my review July 22, 2013.
12. David Egan -- David Egan. (Indy) See my review October 29, 2013. Egan's best release in an over twenty year career. He wrote all the songs, and his singing and piano playing are better than ever.
11. Steve Howell & The Mighty Men -- Yes I Believe I Will (Out Of The Past Records) Like the David Egan cd, this is a masterpiece by a very fine musician and musicologist. Steve Howell is one of the very best acoustic guitarists of our time. The liner notes on Howell's cds are terrific in their own right.
10. Solomon King -- Train (Indy) See my review October 29, 2013.
9. Nicole Hart/Annie Piper -- Split Second (Blues Leaf Records) I have followed Nicole Hart since
2006. I love her voice, and I didn't exactly know what to expect with this release. But from the first song "Can't Let You Go" this cd just hooked me. Everything I love about Nicole Hart is here, and Annie Piper plays bass and sings great. Great songs, and the band is one of those all-star groupings: Ron Rauso and Juke Joint Jonny on guitar, Sandy Mack on harmonica, John Ginty on keyboards, Annie Piper on bass and Sim Cain on drums. "Dream Baby," a terrific cover from Roy Orbison's heyday, is just icing on the cake. Sweet!!
8. See note below.
7. The Planetary Blues Band -- Once Upon A Time In The South Loop" (Indy) This group from Indiana has spent a lot of time in Chicago and on the road. They have an attractive abundance of energy and talent and plenty of chops. This cd showcases a band on the way up. Check out their cover of Blind Lemon Jefferson's "See That My Grave Is Kept Clean."
6. The Mojo Roots -- "What Kind Of Fool" (Indy) These guys are not a hometown choice. They were 2013 IBC semi-finalists. The Mojo Roots have created a fresh spin on a soulful blues sound. See my review March 18, 2013.
5. Andy T - Nick Nixon Band -- "Drink Drank Drunk" (Delta Groove) This pairing of Nick Nixon's great Memphis-based vocals and Andy Talamantez' Texas-based guitar sounds from the first note like they have worked together for decades. They haven't--but their blend is fabulous. And the rest of the band is stellar, too--Anson Funderburgh, John Garza, Christian Dozzler, Danny Cochran, Ron Jones.
If you read liner notes, those guys have together and separately played with damn near everybody over the years. I seriously hope they get to make a follow-up cd in 2014.
4. Cyril Neville -- Magic Honey (Ruf) This release feels to me like the 2012 release of Joe Louis Walker's "Hellfire." It is so obvious that Cyril Neville's cd belongs on this list. From my first listen this was near the top of the heap--and all year long everybody gave it their best shot, but almost nobody could knock it off that perch. The only two who did were:
2. Trampled Under Foot -- "Badlands" (Indy) This cd debuted at # 1 on the Billboard blues charts. Danielle, Kris and Nick Schnebelen have made their strongest cd so far. Produced by Tony Braunagel, with guest appearances by Mike Finnigan and engineer/guitarist Johnny Lee Schell.
1. Buddy Guy -- "Rhythm & Blues" ( RCA) See my review July 31, 2013. Top of my list all year.
Note: One cd which would have made this list--and did, in early drafts--but eventually had to be dropped was The Ruff Kutt Blues Band -- "That's When The Blues Begins" (Vizztone). This would have been # 8 in this list. The quality is there without a doubt, but then I looked closer and the cd was released in 2012.
After much thought and hearing hundreds of songs, Bruce's Song Of The Year is by The F & G Band, on the cd "Pass It On" (Indy) "Untie That Knot." See my review July 22, 2013.
Wednesday, October 30, 2013
Matt Baxter and Jake Sampson -- "Haunted"
Matt Baxter & Jake Sampson are both excellent musicians with long track records of playing with other artists. Baxter has played with Price Buster and Longhorn Slim and Procol Harum's Gary Brooker and Donnie Osmond. Sampson has played with Barry Levenson and many others. They are now based in San Francisco.
On this release, Sampson plays bass and sings, Baxter plays guitar, slide guitar and dobro. Guests include Tony Coleman on drums on one track, Dave Pellicciaro on Hammond B-3 organ on one track, and Simon Russell on piano on one track. The ten tracks, all written by the artists, are contemporary acoustic delta style blues. If you like the old Robert Johnson songs, or Son House, or the first Hot Tuna album, you will like this--these guys have re-created the good stuff, without using a hundred year old recording techniques or really old microphones. Instead of making it sound old, they make it sound great.
Sampson sounds like a younger John Lee Hooker or Taj Mahal. His bass playing is rich and deep, augmented by great playing Coleman and Pelliciaro on "Don't It Make You Feel Good" and by Simon Russell's piano on "Take Me Back Home." Baxter is a great guitar player throughout, and he never overplays. This release shows both musicians to great advantage, without any artifice or ego. Everything is direct and simple, but to truly unwrap the talent of what has been created here, you might have to turn it up a little--and listen a little harder than usual.
My favorite tracks here are the title track, with great guitar and vocal, and "Highway 54," which drew me in at first listen. "Jaime Lynn" stands out with a country feel, and "Dusty Mule" may be the best song--with everything absolutely perfect.
You can buy this cd at cdbaby.com or at Amazon.
On this release, Sampson plays bass and sings, Baxter plays guitar, slide guitar and dobro. Guests include Tony Coleman on drums on one track, Dave Pellicciaro on Hammond B-3 organ on one track, and Simon Russell on piano on one track. The ten tracks, all written by the artists, are contemporary acoustic delta style blues. If you like the old Robert Johnson songs, or Son House, or the first Hot Tuna album, you will like this--these guys have re-created the good stuff, without using a hundred year old recording techniques or really old microphones. Instead of making it sound old, they make it sound great.
Sampson sounds like a younger John Lee Hooker or Taj Mahal. His bass playing is rich and deep, augmented by great playing Coleman and Pelliciaro on "Don't It Make You Feel Good" and by Simon Russell's piano on "Take Me Back Home." Baxter is a great guitar player throughout, and he never overplays. This release shows both musicians to great advantage, without any artifice or ego. Everything is direct and simple, but to truly unwrap the talent of what has been created here, you might have to turn it up a little--and listen a little harder than usual.
My favorite tracks here are the title track, with great guitar and vocal, and "Highway 54," which drew me in at first listen. "Jaime Lynn" stands out with a country feel, and "Dusty Mule" may be the best song--with everything absolutely perfect.
You can buy this cd at cdbaby.com or at Amazon.
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